THE FRONT & ITS DEVICES

Tuesday, 22 December 2009

  • Currently
    For Emma, Forever Ago
    By Bon Iver
    see related








    Yesterday we went to Fairhaven, a historic district of Bellingham, WA, to finish off our Christmas shopping. Bookstores are like my own personal brand of heroin (you may recognize that line from Twilight). When I walk through a bookstore's doors, two feelings flood - a mix of instant relaxation and sunshine-y happiness. Village Books, yesterday's fix, is three floors of printed pages. The realization that most do not have equal feelings towards the local bookseller hit yesterday, while I looked at the people next to me browsing the shelves. They were not wearing the beautific smile I was, their eyes weren't shining, they weren't absentmindedly stroking the book covers and spines, they didn't have to tear themselves away from an Annie Dillard novel! I was the weird one. These people weren't here for love, they were here to check items off their lists. They weren't rhapsodizing over new editions and typography worthy of the words between the covers, they wore furrowed brows and seemed impatient. The thing is, I couldn't change this even if I tried. When you really love something (may it be books or chemistry or Jamie Oliver) the nerdiness shines like a beacon. You just can not help yourself - luckily, I think our nerdy obsessions are the things people love most about us.

    3 days 'til Christmas.



Friday, 18 December 2009

  • Currently
    If I Don't Come Home You'll Know I'm Gone
    By The Wooden Sky
    see related

    Literary Analysis


    My family is on the road, traveling towards me. It's a nice feeling. My exams are done, everything handed in - also a very nice feeling. All of a sudden I have loads of time I'm not quite sure what to do with. It's startlingly quiet around here the few around during the day are still studying and others have left for the holidays. The snow has been washed away by rain in typical BC style, so despite all the decorations - it was decidedly less Christmas-y, as I packed and tied up loose ends today.

    With globalization, capitalism, and current political topics allowed to un-occupy my brain for a while, I'm going to bust out some novels, watch some Christmas specials and cook up a storm, all while grunging it up in in sweats and sweater, hot chocolate at the ready. Let the holidays begin.

    Below are beautiful, and snow- reminiscent art pieces (by Stefanie Posavec, thanks Luke Marvin). Even better - these pieces are visual representation of literature. 
    HER WORDS: "Literary Organism was first used in a project where I explored methods of visualizing the writing style of Jack Kerouac in On the Road. For this piece, I analyzed Benjamin's essay, "The Work of Art in the Age of Mechanical Reproduction", for word count per sentence and by themes within its structure, and I did it all by hand. 

    This information was then used to create a literary organism of the essay that is color-coded according to the devices used by Benjamin to bolster his argument. The structure of Benjamin's essay is made apparent through this type of visualization: the essay is divided into numbered sections, then paragraphs, then sentences, and finally words. Visualized in this manner, the text becomes an organic, plant-like structure that is living and breathing instead of only being seen in its usual form: black lines on a page."

    The (italicized) lyrics are from The Wooden Sky, a beautiful song by a beautiful band.

    I watched the water roll in off the river, my dear we re in for it now. You said lay your head down next to mine on the ground and if the Lord doesn't save us we'll drown. So we both lay there shaking, our hands in the river, saying I'm sure were born just today. When the water rushed in, I gave in to my sins and found my own way to higher ground. Where I watched as the water took hold of your body, high on my hill of retreat. You smiled up at me, amongst the bodies and trees and I didn't sleep for a week after that. Finally, the river let go of your body, my mind drifted off into sleep. But your eyes came to me, disguised as the sea and said - I can't forgive for this.  Oh please darlin, please, you're much stronger than me. You said don't come around the next time you get down, look into me for release.










Wednesday, 09 December 2009

  • Currently
    2Pac - Greatest Hits
    By 2Pac
    see related

    Today, I sat in the dining room and watched Jen and Lisa lay out their bounty for a mediterranean grocery feast/pasta - they laughed, joked, whirled as I looked on. And whooshing out me unbidden came, "I am going to miss this." This place, these people.

    We have discovered scotch of late. While they are outside, drawing smoke filled breaths, I am inside writing to you. Present here and dreaming of the prairies and the people that inhabit them simultaneously. Josh Rouse is loud and the bass is vibrating through my repainted desk. Dancing to Barry White in a room full of ecstatic people, egg shaker in hand and glass with ice in the other, my ears starting to buzz from the loud volume. With the return of my compatriots, light floods the room, the incense heavy (Nag Champa) and Tim closes his eyes to remember the words. Dr. Dre and Eminem collaborations, white t -shirt, glass in hand. Tupac's greatest hits.

    Warmth. Lamp light from a newly repaired lamp and a black shag rug. Jen on the couch, with her wine.

    I'm going to miss this place.



Saturday, 05 December 2009

  • Currently
    C'mon Miracle
    By Mirah
    see related

    Family.


    "Intimacy is a really important part of photography, at least for me. I think we are oversaturated with images that are glossy and distant, putting a celebrity or star on a pedestal. There's something really beautiful about keeping things simple and intimate and the way they are." - Lauren Dukoff (below, photos from her book Family - there's something about it which fascinates me utterly, nudging me to follow her lead)








    I increasingly want to capture the world/my share in it - the people I love, the beauty I see, the comfort I find, the light. Always the light. We watched the sun come up over the mountains today, from the top of a hill with a 360 view of the valley. Bundled and with blood still flowing healthily to our extremities
    from the trek up, we were warm as we waited for the sun to crest, for a time. After the blood slowed we huddled, half behind a huge boulder with increasing wonder and and exclamation as it inched upward, until - light flooded and we were all golden.

    I raise my camera and lower it again when no one inhabits the beautifully lit space.

    These past days have been mostly touched with golden beams; wide smiles from my housemates, frozen hands and faces for the four of us piled on a quad in the dying sunlight, three of us giggling fully clothed in a bathtub trying to warm up, two bottles of scotch and four glasses on a heavy coffeetable, guitars played, voices lifted and warm glances. Silly kung fu in a parking lot before a movie theatre sneak in and reading lights clicked off for the fourth night in a row of a good night's sleep, unhaunted by unmade decisions and silence. It is well.


    It is so good to be well.







Wednesday, 02 December 2009

Tuesday, 01 December 2009

  • Currently
    Veckatimest
    By Grizzly Bear
    see related

    The Best Of.


    I'll send you picture so you won't forget me. Carry the fire we started.


    (A mushy, brown peach id lifted from the garbage and placed on the table to pinken. It pinkens, turns hard, it is carried in a shopping sack to the grocer's, put on a shelf, removed and crated, returned to the tree with pink blossoms. In this world, time flows backwards.

    The woman makes excursions from her small house, goes to the market, occasionally visits a friend, drinks tea at cafes in good weather. She takes needles and yarn from the bottom drawer of her dresser and crochets. She smiles when she likes her work. One day her husband, with whitened face, is carried into her house. In hours, his cheeks become pink, he stands stooped over, straightens out, speaks to her. Her house becomes their house.  

    A man stands at the graveside of his friend, throws a handful of dirt on the coffin, feels the cold April rain on his face. But he does not weep. He looks ahead to the day when his friend's lungs will be strong, when his friend will be out of his bed and laughing, when the two of them will drink ale together, go sailing, talk. He does not weep. He waits longingly for a particular day he remembers in the future when he and his friend will have sandwiches on a low flat table, when he will describe his fear of growing old and his friend will nod gently, when the rain will slide down the glass of the window)

    Above, inside the brackets, excerpts from Einstein's Dreams by Alan Lightman.

    I have this idea that the words, the books, the film, the art, which we love is important. That it contains pieces of who truly are - that these fragments contain real reflections. Sentiments we are unable to articulate are put into words by those more able, photos taken, pictures drawn by those with the hands we lack - not the inspiration.

    Photos by Todd Selby.










Saturday, 28 November 2009

  • Homeward Bound.







    I am back on the road again, for a time, come January. Back to the only home that claims me - the prairies. I will spend the coldest month or so of the year between Regina/Winnipeg - tears freezing in my eyeballs, lips numbing and with at least (at least) one guaranteed, utterly embarrassing and totally painful wipeout. Flat on my back, cold in every direction, looking up at a bright blue sky.

    The prairies are beautiful in the winter, blindingly white and endless - the pressure lifts in the expanse, letting you breathe. They're the setting for dreams and a beginning to a new year.

    It is a curious emotion, this certain homesickness I have in mind. With Americans, it is a national trait, as native to us as the roller-coaster or the jukebox. It is no simple longing for the home town or country of our birth. The emotion is Janus-faced: we are torn between a nostalgia for the familiar and an urge for the foreign and strange. As often as not, we are homesick most for the places we have never known.
    - Carson McCullers


Wednesday, 25 November 2009

  • Art/Archidossa


    Images from Tim Burton's show at MoMA.







    I find myself gratefully enveloped in the warm hum of life and connection - the ease of being with people minutes after you wake up and have been propelled toward the kitchen in search of coffee. The lottery are the days when someone has made a fresh french press while you were just opening their eyes and offers you a cup or half a bodum upon arrival to the dining room. No grinding needs doing, the water has already been boiled and the four minutes has passed - with a plunge I have begun my first ritual of the day. I love the sound of coffee when poured into a cup, any cup - the material from which it's made doesn't seem to matter, I experience the tiniest of thrills each time. Maybe it's simply the anticipation, but whatever it is, it is lovely and silly and I like it. With coffee in hand, one may sink into an ugly, yet incredibly comfortable couch and have a conversation with a roommate about love and life. How there is no us and no them, just a whole lot of people and a lot of beauty.


    Or maybe, it is one's turn to make supper and after an exhausting day, with a couple hours worth of anxiety on the clock already, it seems an insurmountable task. No money, no groceries, no inspiration - but a partner is met outside the door of Unit A. We are both coming home and before we are at the top of the stairs, soup is settled on and there is a new, slight spring to be found in our steps. Supplies are acquired, rain has curled our hair and our bounty is spread out on the counter - ready to chopped, diced, etc. We make Zuppa Achidossana, soup from Archidossa (Tuscany, Italy, the world) and as it simmers, more and more people follow their noses into the kitchen. Thus before supper begins, there is happy hum to be observed, one that has not yet reached impatience. Olive oil from Greece, fresh bread and freshly mortared pepper and sea salt on a platter, bowls are filled and emptied, music plays, voices speak and dimmed light sets the mood for our nightly feast.

    Contrastingly, I am often squirelled away in my room. Sometimes lonely, sometimes sleepless and sometimes quiet. Painting, writing, watching. Wondering. Awe-fully happy, and organ crushingly affected. A world of contrasts.

    Tomorrow there is school and class and books, and always the rain.


Saturday, 21 November 2009

  • Currently
    Troubadour
    By K'naan
    see related

    The Snow Woman.


    I love my room by lamplight - almost more when the halls and rooms are full of people. My antisocial tendencies have come on full force of late, often not as an escape, but a preference, which I am unable to fully explain. It is not that my heart doesn't swell and a smile curve to my lips as I watch people play and laugh and cook, it is more that I segue into observer mode, a way of being not at all unknown to me. Having to work to interact in a normal fashion and without massive mood swings and a slew of irrational thoughts around every corner, finds me slipping out of door ways and down a hallway to a room filled with books.

    I ventured out of my room to refill my champagne glass filled with wine, spoke to old friends - old roommates, and after not long, ducked around a corner to watch an old illustrated film - The Snow Man. It was enchanting. It played on a sheet hung in the middle of the hall, obstructing movement, instead offering charming glimpses of childhood imagination. Down the halls, strains of music begin, I am drawn towards them and slip into a room already full. One of my million roommates is playing music to all the folk who have come to our celebration of the city Christmas tree lighting. It is raining and not snowing outside. Inappropriate BC.

    Below, Beth (Man)'s drawing of a section of our bookshelf. The most non - booky part, that is.


       






Sunday, 15 November 2009


  •  




    Photos by Beth Mans.

    I left and when I came back, the halls were decked with holly. All alone in the halls at 2 am. The yellow tinged light illuminated my tired shuffle to the back of the building and room 220. A movie done, a roommate gone out for a smoke break, I venture out of my room to heat the water for tea. Doors are open as I walk down the hall. Mark is recording in the pantry. Jamie is leaving the kitchen. I rifle through tea bags in the front coffee/tea room, glance forlornly at my empty mailbox, and someone is playing the piano in the entrance below. These are comforting things.

    All these people alive behind closed, or open, doors, sounds giving the proof of their existence and inspiration. Tea pots still warm from the last person to heat water. Proof of life.


    The December sun is dawning, and with it, crisper air and all that comes with such a month. The celebration of another year. There is always much proof of life at Christmas.



Tuesday, 10 November 2009

  • Marry Me, John.








    Photos by Meg Kroeker.


    Mine was one of seven bowed heads around a family table, hands by our sides, not joined. I was caught off guard, instantly grounded by words so familiar and simple. A moment taken to pause before a meal, grateful for food on the table before me, the smell wafting up to greet me - soaking in ineffable relief - is not something I do enough. Invariably, this is the response that rises when I do take a second to slow. It feels good. Grounded.

    ///

    She pulled the tab fully intact off the aluminum can of free beer. She held it up in triumph to the small room crowded with bodies, not particularly caring (for once) if anyone paid attention or not. It was a mere confirmation of what she already knew. He loved her! Undoubtedly. Earlier that day, while reading words that confirmed the very same thing, it occurred to her that no matter how much she wondered and doubted and feared, they were inextricably linked. Each altered by the other in a way that meant they wouldn't ever fit with any other person quite right. Perhaps they could be comfortable with another, different, soul and certainly with time, the mismatched edges would rub against each other enough to make them forget that they didn't fit correctly in the beginning. Surely, the aforementioned process happens to any two people who choose to walk the same path, but what it is mistakenly chalked up to myth is perfect alignment of
    two people people carved from the clay. Corresponding pieces. She thought for just a moment about saving the beer tab as a reminder of her epiphany, but it wasn't the sort of thing one forgot. She placed back down on the table, smiling, and returned to her game.

    ///


    “I thought I was through with this day. All I wanted to do was unplug the phone, pour myself a bourbon, glance through the clippings concerning a particular case, just to check, and switch off the lights except for the old lamp on my desk. Maybe I’ll fall asleep right here, in my office. So there I was, sitting alone in the feeble light and silence, when she came in. Annie. She did not knock before she entered the room but quietly closed the door and turned towards me. I was barely able to see her, but I could imagine her large eyes, her smile. She whispered an ethereal ‘Hello’, her voice mingling with the plumes of smoke. The night had just begun...”(Stolen from La Blogotheque)

Monday, 02 November 2009

  • Easier.











    I hear the ring of bell. It is not dinnertime, it is barely morning. The dark crowds us for more of the day than I like to admit to - and yet the gray, pale morning light still illuminates the dust on our black desk. Yellow light inside. A screenprinted poster is in the mail from the U. K. which was beautiful, beautiful, very fitting for our room and cheap AND it faintly reminded me of Bartholomew Cubbins. Bartholomew Cubbins is a dashing hero who defeats ooblecks, silly kings and the like and incidentally, is my favorite of all Dr. Seuss's created characters. I look up at my crack of sky and blue sky has been revealed in only a few minutes inattention. The dark is forgotten.

    This past summer, a new friend made my day by posting photos of my beloved morning light. (ABOVE, photos by Andrea Mclaren) It was a terrible day and I remember, tears were spilling out within a second of seeing the photos and the album's title - For Elizabeth Ashton. She wrote, I remembered today that we take pictures of the same sun. Lately, I have been rather horrible to some people in paricular. People I love very much. Horrible not in the way of scheming terrible things via Blair Waldorf, but perhaps in a more damaging way. Disengagement, too much sarcasm, general unfeeling, and unseeing. To be unfeeling, I think, is the very worst. I am not alone in this, and on Halloween night seeing evidence of this very thing - before settling down to a somewhat scary movie projected on the wall of the mature lounge and a huge amount of candy, chips and pop and pillows, I sat in my room, sad. Why aren't we gentler to each other?


    With all my rules and constructs about how things should be, how I/we should be, and all the things I/we want to do - why isn't that one of them? We are quite, quite fragile and yet, it goes unrecognized and hidden behind masks of fine or sarcasm - why aren't we gentler? I think this would be good. The poster in the mail (BELOW, by handcooked). 






Thursday, 29 October 2009

  • Currently
    Dark Was the Night
    By Various Artists
    see related

    Hey Snow White.


    Paintings by Zadie Xa.



     


    A second round of sickness has re-muddled my mind. Words creep through my head instead of flash, blankets hamper my ability to type and there's an ever present pile of kleenexes within arm's length. My temperature is up and down like a kangaroo baby sans ritalin - I shed and pile on layers in between rounds of nausea. 


    Words from friends are welcome in my (these days) shrunken little world. I have holed up inside brick walls, 8,000 square feet and with over 20 housemates. Yet, my thoughts are so often with people scattered across the country - Meg in her new home, Eoin on tour and all the LV's, my family in their beautiful house on Angus, Joh and Ben in their house cooking - all this cords tying me to different places then the one I inhabit. I'm not going to venture to guess what this does to my sense of home - which, honestly has always been a little strange - bringing me back to a different sort of befuddlement.

    A single drop rolls down my wall, the misty rain leaving it free from pattern today. My head however, is a million patterns, criss-crossing and confused, though hopeful, at what comes next. Hey, Snow White - it's gonna be alright, be allright, be allright.
    I'm gonna take my cue from that pale lady, as I match her today in pallor, and lay down. Boring, yes. Unbelievably comforting? Oui.  Bonne nuit.



Wednesday, 21 October 2009

  • Currently
    The Midnight Organ Fight
    By Frightened Rabbit
    see related

    The Days Go By.




    ABOVE: MEGAN HUNT.

    All I can see is the wall outside my window. The pattern today is the early stages of a Pollock painting. It's raining - we held off the perpetual rain for quite some time - but there's no denying that the trade-off for mountains, ocean and no snow is months upon months of rain. The thought of eggs made my stomach revolt and so here I sit, instead eating toast with honey, coffee and an apple in my grey Grandpa sweater, gearing up for the another long day of putting fancy words on paper and wading through textbooks.


    Yesterday was a shit day. A walk to clear my head turned into leaden limbs barely making it back through the door and into bed with Kramer vs. Kramer, dozing in and out. Meryl Streep is/was a babe. Do the twist in the twisting outfit, the loose tie with the loose limp wrists, lift your dress enough to show me those shins, let your hair stick to your forehead. Another go at homework with a brain unable to string words together led to me curling up on the floor in front of my heater, just like old times, head and shoulders on a huge white pillow. Frightened Rabbit's The Midnight Organ Fight turned up loud. In and out of consciousness, the last dregs of sickness working itself out of my body. Twist yourself around me, I need company, I need human heat.

    Are you a masochist? To love a leper on his last leg.


    Today, though, I am back in the books, listening to pitter patter of the rain outside and not heart wrenchingly missing people far away. Time passes quickly. Mornings come, and the dreaded 2 and a half weeks of school hell will pass into memory.

    Back to the books,
    B

Friday, 16 October 2009

  • Cloud of Light.





    There was a small boy sitting on a concrete ledge while I waited in line for my cappuccino. He sat, swinging his short legs off the edge. We drove away, after getting bread and we were stopped at a light. In front of me was a man sitting, leaning against a building - he had a beard and a hat and a very lean face. He held up to his mouth a tinfoil wrapped something and with great pleasure, dug in. I felt his satisfaction & was content in matching it - not as a voyeur, but as a stranger sharing a simple pleasure. I watched the light turn and we continued on. I am in the bath, languid and brown limbed. I hear water trickling through the pipes overhead. Books are piled on either side of my glasses and I sit half in, half out of the water, writing of people I do not want to slip away and be forgotten. I want to hold them between these pages, not captive, but remembered.


    //

    The dedication of Rolheiser's The Holy Longing:
    For Henri Nouwen, 1932-1996, our generation's Kierkegaard. By sharing his own struggle, he mentored us all, helping us to pray while not knowing how to pray, to rest while feeling restless, to be at peace while tempted, to feel safe while still anxious, to be surrounded by a cloud of light while still in darkness and to love while still in doubt.

    //

    Come back darkness, come back muddled mind, do not yet disappear into the light of thought - there's only so much genius to be found in sanity. Yeah, yeah, yeah, yeah. Yeah, yeah, yeah, yeah. Yeah, yeah yeah, yeah. Yeah, yeah. I wake, I stand before the bathroom mirror, eyes half open, lost in a dream. I feel it's a good time to take my pills - when I am half lucid and the other half crazy. I hear voices. I long for comfort. I have to take 1, 2, 3, 4, 5, 6, 7, 8 pills. Medication, supplementation. I brush my teeth vigorously, my teeth bleed.  I spit 1, 2, 3 times - fascinated by the way my blood looks mixed with saliva in the sink.

    //

    Happy Birthday Timothy James. It's the 16th of October.




Wednesday, 14 October 2009

Tuesday, 13 October 2009

  • Currently
    Hymns for a Dark Horse
    By Bowerbirds
    see related

    The Woman in a Yellow Dress


     

     

    Photographs by Joseph O. Holmes
    of New York City

    There are floor to ceiling curtains that need to be steamed. There is tea and coffee to make and doors to open - beyond them is restoration. Curled in chairs, afghan swaddled, we sit. We rest. We remember, something. There are homes to make like magic, they contain us after late night inky black  bike ride, snow flakes falling, the streetlights guiding us home. Most assuredly, I would curse an October snow if I remained in my home province, but hearing of its descent I was immediately nostalgic of the kind of winters I don't get to have in my current place of residence - romanticizing the hell out them. It's all fireplaces and warm drinks and cuddling up with something (ex: down comforter) or someone you love. And that pristine winter snow, thick and blanketed overs trees and ground through frost dusted windows.

    Back to the present. The no snow present. I crawled around on bookstore floors searching for the perfect book for you. But I didn't find it. Shit. They were all too expensive, all the ones I wanted.  I got rug burn from one shop and bruises from the other. And maybe a neck crick. Crack. Crick. Damn. I scanned their spines reading each vertebrae, searching for everything - for everything you ever wanted in a book.

    I'm dreaming of trains and cross-Canada trips. And beds and candlelight, and endless books. And record players in new homes with a top bunned woman.  I want to hear the strains of vinyl reach around walls and fill rooms - its warm sound is an undoubted a winter essential.

    Adieu snowflake babies,
    I go back to my rain.

    B


Sunday, 04 October 2009

  • Currently
    Re-enchantment: Tibetan Buddhism Comes to the West
    By Jeffery Paine
    see related

    Hoping for Everything.


    Astolphe's boy would turn up and sit on the stool across from him, with his grin, his desire for, it seemed, every possibility in the world. perhaps Lucien himself looked like that when young. Like a slim combed hound, mouth open, breathing fast with eagerness, hoping for everything.
    (from Divisadero by Ondaatje)

    I have a new place - a very much needed place to construct dreams. I build them up, giant constructs of matchsticks, impossibly huge and very real. I inhabit them eagerly, far before they are sturdy and safe, clambering up up up joyously. I survey the view from the top, inhaling deeply and with satisfaction until a stiff breeze blows apart my precarious bare bones of a structure and I tumble down with it. I am left sitting among the remnants, missing the view.  I am strange bird in a matchstick nest.

    I have a new place to recovery from all my flights of fancy, a place to ground me - a twin chair to mine for friends to inhabit beside me when they come to seek me where I am most often found these days. I have recently lost the ability to make a good cup of coffee, which is very much off topic, but is no less baffling in its sudden arrival. Back on, I am mostly shrouded from the world - from my chair I can only see a slice of sky and a tall concrete wall, which on rainy days becomes patterned by the falling drops. Every rain day pattern is different and I anticipate with some eagerness the many I will see in the coming months. I am without heat and sending fervent prayers in all directions for ours to be fixed soon (A, I am jealous jealous of your repaired broiler and consequent warm apartment) so I too can hear the his and hum of the radiators coming alive. My new place and icy fingers are currently an inseparable pair.

    On the wide black slab of a desk, there are ceramic coaster from Prague and Greece for the tea or coffee nearly always at hand. One is square with a black and white pattern of Kafka sihouettes, the other round with a spot painted a traditional guard blowing his horn in fornt of the Acropolis. Pieces of travels which tie me to those locations in time. I remember the elation I felt upon entering Kafka's blue house in a cobblestoned alley; the awe at I felt at the Acropolis, the cold wind chilling me even though the sun shone bright overhead, high above Athens. I felt wide open, barely able to keep my breath as I opened my eyes wider and wider to take it all in.  Waiting for everything.






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